Images of disappearing realms, fragments of realities captured on silver grains. I like to think of each shot I take as a kind of entity, something inhabited.

Photography, traditionally intertwined with themes of mortality and spirituality, serves as my conduit for delving into the realm of the invisible. There is a constant fluctuation between the visible and the invisible, and it is within these transitions that my practice is anchored.

I’ve always felt intrigued by images and places that are seemingly empty, but carry a powerful and heavy atmosphere. My work has always been about accepting and embracing the invisible.

With my photography, I find myself trying to comunicate with what is no longer here/there.

" photography in-vitro, light on-vial " (2023)

" ça existe, le froid fantôme? " (2022-2023)

" ศาลพระภูมิ, spirit houses " (ongoing)

" i don't feel it, was it the right dose? " (2023)

" Beltran" (2023)

" sunbeam, nature's crayon; helium neon, invisible nib" (2023)

" FASTLIFE " (2022)

" degré zéro " (2021)

" 森林浴, shinrin-yoku " (2019-2021)

the silver that kissed the sliver that persists (2025)

I was looking for a ghost and I found it’s silver bones (2024)

Safelight filter, japanese kozo paper with silver leaf specks. Japanese binding in three stitches.

Printed at Koganecho Art Center, Yokohama. Self-published in 50 copies.

The Silver that Kissed the Sliver that Persists : Spirit Houses (ongoing)